Module overview
Aims and Objectives
Learning Outcomes
Subject Specific Intellectual and Research Skills
Having successfully completed this module you will be able to:
- discuss critically how social phenomena impact on and contribute to understanding hip hop, and and vice versa
- engage critically with thematic ideas about hip hop music cultures and transfer these ideas effectively between distinct contexts
Knowledge and Understanding
Having successfully completed this module, you will be able to demonstrate knowledge and understanding of:
- aesthetic, social and ethical questions associated with hip hop in various contexts
- the impact of musics on broader social phenomena
- histories of hip hop within distinct social contexts
- relevant theoretical approaches to the study of hip hop music cultures
Transferable and Generic Skills
Having successfully completed this module you will be able to:
- gather information independently from a cross-section of disciplinary resources
- assemble case studies under a thematic umbrella and apply a unified theoretical approach
Syllabus
Learning and Teaching
Teaching and learning methods
Type | Hours |
---|---|
Preparation for scheduled sessions | 24 |
Lecture | 24 |
Completion of assessment task | 60 |
Wider reading or practice | 42 |
Total study time | 150 |
Resources & Reading list
General Resources
Hartley Library reserves.
Module Blackboard site.
Hartley Library audio/visual reserves.
Textbooks
Mark Katz (2012). Groove Music: The Art and Culture of the Hip-Hop DJ. Oxford: Oxford University Press.
Eric S Charry (2012). Hip Hop Africa: New African Music in a Globalizing World. Bloomington: Indiana University Press.
Murray Forman and Mark Anthony Neal (2012). That's the Joint! The Hip-Hop Studies Reader. New York: Routledge.
Tony Mitchell (2001). Global Noise: Rap and Hip-Hop Outside the USA, Music/Culture. Middletown: Wesleyan University Press.
Ian Condry (2006). Hip-Hop Japan: Rap and the Paths of Cultural Globalization. Durham: Duke University Press.
Dipannita Basu and Sidney J Lemelle (2006). The Vinyl Ain't Final: Hip Hop and the Globalization of Black Popular Culture. London: Pluto.
Assessment
Assessment strategy
Include details of the proportion and weighting of coursework as well as the number, type and duration of examination(s). You must specify which element will be taken as the final assessment.Formative
This is how we’ll give you feedback as you are learning. It is not a formal test or exam.
Outline
- Assessment Type: Formative
- Feedback:
- Final Assessment: No
- Group Work: No
Summative
This is how we’ll formally assess what you have learned in this module.
Method | Percentage contribution |
---|---|
Essay | 100% |
Referral
This is how we’ll assess you if you don’t meet the criteria to pass this module.
Method | Percentage contribution |
---|---|
Essay | 100% |
Repeat
An internal repeat is where you take all of your modules again, including any you passed. An external repeat is where you only re-take the modules you failed.
Method | Percentage contribution |
---|---|
Essay | 100% |
Repeat Information
Repeat type: Internal & External