Module overview
Aims and Objectives
Learning Outcomes
Transferable and Generic Skills
Having successfully completed this module you will be able to:
- cope with the stress of putting together an assessed performance
- manage a group of musicians of varying ability, so that you will be able to work with musicians ranging from professional players to schoolchildren.
- make effective use of limited time to achieve a desired result
Subject Specific Practical Skills
Having successfully completed this module you will be able to:
- use manual and facial gestures to help performers enter and exit, to play or sing louder or softer and with specific expression
- mark up a score for rehearsal and performance
- use a baton to indicates 2, 3, 4 and 6 beats per bar, and more complex patterns
- make efficient use of limited rehearsal time
Knowledge and Understanding
Having successfully completed this module, you will be able to demonstrate knowledge and understanding of:
- what to listen for in rehearsal
- the basic conducting patterns in two, three and four beats, and some asymmetrical patterns
- the gestures associated with entrances, cut-offs, and expression
- ways in which to prepare for a rehearsal
Subject Specific Intellectual and Research Skills
Having successfully completed this module you will be able to:
- apply analytical technique to the score of an ensemble or vocal work
- anticipate problems that are likely to arise in the performance of a work
- find imaginative ways of solving problems in ensemble performance
Syllabus
Learning and Teaching
Teaching and learning methods
Type | Hours |
---|---|
Teaching | 36 |
Independent Study | 114 |
Total study time | 150 |
Resources & Reading list
Textbooks
Christopher Adey (1998). Orchestral Performance. Faber.
Jean Vermeil (1996). Conversations with Boulez: Thoughts on Conducting. Amadeus Press.
Nikolaus Harnoncourt (1989). The Musical Dialogue. Amadeus Press.
Myer Fredman (1999). The Conductor’s Domain. Thames Publishing.
Nicholas Kenyon (2001). Simon Rattle: From Birmingham to Berlin. Faber.
Georg Solti (1997). Solti on Solti. Chatto and Windus.
Max Ruldolph (1993). The Grammar of Conducting. Schirmer.
Assessment
Assessment strategy
Assessments designed to provide informal, on-module feedback in-class discussion of conducting technique videotaping of conducting sessions interaction with fellow studentsSummative
This is how we’ll formally assess what you have learned in this module.
Method | Percentage contribution |
---|---|
Assessment | 60% |
Assignment | 40% |
Referral
This is how we’ll assess you if you don’t meet the criteria to pass this module.
Method | Percentage contribution |
---|---|
Assessment | 40% |
Assessment | 60% |
Repeat
An internal repeat is where you take all of your modules again, including any you passed. An external repeat is where you only re-take the modules you failed.
Method | Percentage contribution |
---|---|
Assignment | 60% |
Assignment | 40% |
Repeat Information
Repeat type: Internal & External