Module overview
Contemporary African literature is about pleasure and beauty, as much as it is about the continent’s struggle for social justice and decolonisation. In the past two decades, African novels have won critical acclaim by telling stories about modern lives that challenge conventional understandings of gendered, embodied and sexual freedom. Such novels have expanded the global repertoire of literary forms and contributed to literary debates about modern selfhood and self-making. The module introduces you to 21st-century African texts in the forefront of these debates (and to their historical forebears), equips you with vocabularies for intersectional critical thought, and expands your ability to analyse form and genre.
Aims and Objectives
Learning Outcomes
Subject Specific Intellectual and Research Skills
Having successfully completed this module you will be able to:
- an understanding of the relationship between form, genre and meaning in contemporary African texts in English.
- an appreciation of the formal innovativeness of a group of contemporary African texts in English; and
- Apprehension of the emancipatory political implications of a group of contemporary African texts in English;
Transferable and Generic Skills
Having successfully completed this module you will be able to:
- Improved essay writing skills;
- improved critical thinking skills, and
- improved attentive reading skills.
Knowledge and Understanding
Having successfully completed this module, you will be able to demonstrate knowledge and understanding of:
- the ability to discuss issues related to gender, sexuality and embodiment in a culturally, theoretically and politically informed manner.
- Knowledge and understanding of how to discuss Africa and Africans without othering them unintentionally;
- familiarity with a body of African literary texts in English, the critical debates around them, and the conceptual vocabularies these debates entail; and
Syllabus
The module will start by presenting in detail the literary debate about sex, gender and pleasure among three leading African authors - Chimamanda Ngozi Adichie, Chinelo Okparanta and Akwaeke Emezi - about the terms of gendered emancipation in Nigeria, Africa and (by extension) the world. We will analyse the global political resonances of this debate, its discursive consequences, and the pressure it has put on conventional literary-analytical vocabularies, especially with regard to genre.
The module will then move to texts emanating from other regions of the African continent and its diaspora, and scrutinise the social, historical, theoretical and formal implications of their representations of sexuality, gender and embodiment. Please note that the exact details of the primary and essential reading lists are likely to vary between academic sessions.
Learning and Teaching
Teaching and learning methods
Teaching methods will include lectures, seminars, and workshops on research, using theory, working across disciplines, and writing process and practice.
Learning methods will include debating, working in small groups, formulating questions as well as answers, writing in class as well as independently.
This module includes a Learning Support Hour. This is a flexible contact hour, 5 in total, designed to support and respond to the particular cohort taking the module from year to year. This hour will include (but not be limited to) activities such as language, theory and research skills classes; group work supervisions; assignment preparation and essay writing guidance; assignment consultations; feedback and feed-forward sessions.
Type | Hours |
---|---|
Lecture | 11 |
Independent Study | 123 |
Teaching | 5 |
Seminar | 11 |
Total study time | 150 |
Resources & Reading list
Textbooks
Frederick Cooper (2014). Africa in the World: Capitalism, Empire, Nation-State. Cambridge, Mass: Harvard University Press.
Sylvia Tamale (2011). African Sexualities: A Reader. Oxford: Fahamu.
Akwaeke Emezi (2020). The Death of Vivek Oji. London: Faber.
Sarah Ahmed (2006). Queer Phenomenology. Durham, NC: Duke University Press.
Keguro Macharia (2019). Frottage. New York: New York University Press.
Chimamanda Ngozi Adichie (2013). Americanah. London: Fourth Estate.
V. Y. Mudimbe (1988). The Invention of Africa. Oxford: James Currey.
Chinelo Okparanta (2015). Under the Udala Trees. London: Granta.
Assessment
Summative
This is how we’ll formally assess what you have learned in this module.
Method | Percentage contribution |
---|---|
Analytical essay | 50% |
Analytical essay | 50% |
Referral
This is how we’ll assess you if you don’t meet the criteria to pass this module.
Method | Percentage contribution |
---|---|
Analytical essay | 50% |
Analytical essay | 50% |
Repeat
An internal repeat is where you take all of your modules again, including any you passed. An external repeat is where you only re-take the modules you failed.
Method | Percentage contribution |
---|---|
Analytical essay | 50% |
Analytical essay | 50% |
Repeat Information
Repeat type: Internal & External