This is a foundational, team-taught module drawing on the expertise of a range of scholars. Their specialisms will encourage you to look deeper and explore your own interests in the period as you move into Year 3. Set texts will vary will introduce you to prominent literary themes, movements and critical concepts across literary genres. A sampling of indicative themes and associated authors and texts may include:
- Victorian Drama and Female Sexuality: George Bernard Shaw, Mrs Warren’s Profession 1893; Sir Arthur Wing Pinero, The Second Mrs Tanqueray 1893.
- Victorian Art, Aestheticism and Literature: Pre-Raphaelite Brotherhood (ex. Poems by Christina Rossetti and Dante Gabriel Rossetti, selected essays and non-fiction prose by John Ruskin ex. Stones of Venice, 1853); dramatic monologues by Robert Browning (ex. “Fra Lippo Lippi” 1855); Fiction and plays by Oscar Wilde [ex. Picture of Dorian Grey, 1890 and Salome, 1892]
- The Realist Novel: Elizabeth Gaskell Cranford (1853), North and South (1855); W. M.Thackeray, Vanity Fair (1847); Thomas Hardy, Far from the Madding Crowd (1874) and Jude the Obscure (1895) Charles Dickens, Bleak House (1853), Great Expectations (1860) and Hard Times (1854); George Eliot, Middlemarch (1871-2)
- Sensation Fiction, Melodrama and Stage Adaptation: Dion Boucicault’sThe Phantom (1856); Mary Elizabeth Braddon, Lady Audley’s Secret (1862); Wilkie Collins, The Woman in White (1860).
- Romantic Poetry (1800-1820s): including works by Anna Letitia Barbauld, Lord Byron, Samuel Taylor Coleridge, John Keats, P.B. Shelley, Charlotte Smith and William Wordsworth.
- Nineteenth-Century Gothic: Jane Austen Northanger Abbey (1817) Maria Edgeworth Castle Rackrent (1800) James Hogg, Confessions of a Justified Sinner (1824)
- Autobiography, letters, and personal accounts: Mary Prince, The History of Mary Prince (1831); Letters by Olive Schreiner (1871–1920); Oscar Wilde, De Profundis (1895–97)