Module overview
The core course for the MA, convened on a multidisciplinary basis, and taught by all those contributing to the MA in a given year, will introduce students to the key theoretical, historiographical and conceptual debates surrounding the study of the long eighteenth century. It will emphasise the gender issues which have been central to the revision of scholarship on the period over the last quarter century.
Aims and Objectives
Learning Outcomes
Cognitive Skills
Having successfully completed this module you will be able to:
- conceptualize historical and cultural issues in new ways as a result of interdisciplinary work
- synthesize and integrate the analysis of primary sources and secondary texts in a coherent written argument
- identify and analyse the shifting historical frameworks through which gender is understood across the period
- critically evaluate both primary source materials and arguments in secondary texts
Transferable and Generic Skills
Having successfully completed this module you will be able to:
- identify and outline the main debates in a given field
- develop ideas in concert with others in the context of discussion and debate
- communicate a coherent and convincing argument at length in written form
- demonstrate the capacity for self-directed problem-solving and independent work with a strict time-frame
- draw upon a range of relevant primary and secondary sources to explore specific historical questions
Subject Specific Practical Skills
Having successfully completed this module you will be able to:
- describe and evaluate the state of research and scholarship on gender and culture in cross-disciplinary perspective
- identify and develop a topic for further research which might form the basis of an MA dissertation
- identify lines of enquiry about gender and cultural change common to historical and literary disciplines
- apply appropriate critical and historical approaches to diverse cultural forms
Knowledge and Understanding
Having successfully completed this module, you will be able to demonstrate knowledge and understanding of:
- Current key debates in eighteenth century studies
- How to research develop an appropriate interdisciplinary topic in the period using archival sources
- How questions of sexuality and gender changed across the long eighteenth century
- What is common and what is specific to the approach of different disciplines to the study of gender and culture in the eighteenth century
- Specific issues raised about gender across literary, historical and history of art and design disciplines
Syllabus
The core course for the MA, convened on a multidisciplinary basis, and taught by all those contributing to the MA in a given year, will introduce students to the key theoretical, historiographical and conceptual debates surrounding the study of the long eighteenth century. It will emphasise the gender issues which have been central to the revision of scholarship on the period over the last quarter century. The course looks at how gender inflects such terms as ‘luxury’, ‘progress’, and ‘public’ and ‘private’, by which contemporaries attempted to explain social and cultural changes. Indicative topics through which these issues will be addressed include: the body; consumption; education social disorder; sensibility; sexuality; print culture; portraiture; the rise of the novel; cultural production and authorship; dress and material culture; recent perspectives in gender and history. These topics are studied mainly in Britain, but with some comparative dimension to their treatment in Europe and in America. The course will use primary materials from the period, i.e. literary texts, periodical literature, legal documents, fine art and popular visual images, artefacts etc. in relation to a wide range of secondary critical and historical texts drawn from literary criticism and history, history, the history of art, the law and political economy. The course examines how far separate disciplines have been involved in a common debate about gender and cultural change, and how far they have developed specialised accounts of such change.
The course will explicitly raise questions about the problems and possibilities of interdisciplinarity in Literature, History and the History of Art and Material Culture, and the conceptual and methodological issues involved in interdisciplinary study.
An introductory session on the historiography of the period will be followed by sessions on topics such as Portraiture; the Body; Sensibility; Gender/Class/Ethnicity; Print Culture. In the two final weeks of the course we will synthesize and review the work covered.
Learning and Teaching
Teaching and learning methods
Teaching methods include:
- seminars involving both tutor and student led discussion;
- use of internet and other electronic resources on the long eighteenth century
Learning activities include
- participation in general discussion of themes drawn from weekly reading;
- oral seminar presentation;
- independent reading and research;
- development of archival skills;
- development of techniques and conventions of visual analysis.
Type | Hours |
---|---|
Follow-up work | 76 |
Seminar | 24 |
Completion of assessment task | 100 |
Preparation for scheduled sessions | 100 |
Total study time | 300 |
Resources & Reading list
Textbooks
Margaret J.M. Ezell (1999). Social Authorship and the Advent of Print. Baltimore: Johns Hopkins Press.
Norma Clarke (2000). Dr. Johnson’s Women. London: Hambledon.
Margaret J.M. Ezell (1993). Writing Women’s Literary History. Baltimore: Johns Hopkins Press.
Aileen Riberio (2002). Dress in Eighteenth Century Europe. New Haven: Yale University Press.
Janet Todd (1987). Sensibility: An Introduction. London: Methuen.
Amanda Vickery (1998). The Gentleman’s Daughter: Women’s Lives in Georgian England. New Haven: Yale University Press.
V.A.C. Gatrell. The Hanging Tree: Execution and the English People 1770-1868.
Michel Foucault (1991). Discipline and Punish. Harmondsworth: Penguin.
Ellis Markman (1996). The Politics of Sensibility: Race, Gender and Commerce in the Sentimental Novel. Cambridge: Cambridge University Press.
Hannah Barker and Elaine Chalus eds. (1997). Gender in Eighteenth Century England. London: Longman.
Paula McDowell (1998). The Women of Grub Street: Press, Politics and Gender in the London Literary Marketplace, 1678-1730. OUP: Clarendon.
John Brewer (1997). Pleasures of the Imagination: English Culture in the Eighteenth Century. Harper Collins.
Linda Baumgarten (2002). What Clothes Reveal. New Haven: Yale University Press.
Ruth Richardson (1989). Death, Dissection and the Destitute. Harmondsworth: Penguin.
David H. Solkin (1993). Painting for Money: The Visual Arts and the Public Sphere in Eighteenth-Century England. New Haven: Yale University Press.
Assessment
Assessment strategy
There will be no non-contributory assessments in this module, but classroom activities and individual discussions, should help you to judge how you are progressing in the module.
Formative
This is how we’ll give you feedback as you are learning. It is not a formal test or exam.
Presentation
- Assessment Type: Formative
- Feedback: Students receive oral feedback on their presentation, both from peers and staff in class, as well as with staff by appointment.
- Final Assessment: No
- Group Work: No
Summative
This is how we’ll formally assess what you have learned in this module.
Method | Percentage contribution |
---|---|
Written assignment | 100% |
Referral
This is how we’ll assess you if you don’t meet the criteria to pass this module.
Method | Percentage contribution |
---|---|
Resubmit assessments | 100% |
Repeat Information
Repeat type: Internal