Emeritus Professor Laurie Stras

Connect with Laurie

Email: L.A.Stras@soton.ac.uk

Tel: +000

ORCID

Publications

72 publications

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White face, black voice: race, gender, and region in the music of the Boswell sisters

Laurie Stras, 2007, Journal of the Society for American Music, 1(2), 207-255

DOI: 10.1017/S1752196307070083

Type: article

Getting in touch with his feminine side: Don Lodovico Agostini and the gendered soul

Laurie Stras, 2007

Type: conference

The organ of the soul: voice, damage and affect

Laurie Stras, 2006

Type: bookChapter

'Al gioco si conosce il galantuomo': artifice, humour and play in the enigmi musicali of Don Lodovico Agostini

Laurie Stras & Iain Fenlon, 2005, Early Music History, 24, 213-286

DOI: 10.1017/S0261127905000094

Type: article

The artist’s impression: Ethel Waters as mimic and auteur

Laurie Stras, 2005

Type: conference

The Canones et Echo sex vocibus.... eiusdem dialogi of Don Lodovico Agostini

Laurie Stras, 2005

Type: conference

Sing a song of difference: Connie Boswell and a Musical Discourse of Disability

Laurie Stras, 2004

Type: conference

Review. Iain Fenlon, Music and Civic Culture in Late Renaissance Italy. Oxford and New York: Oxford University Press, 2002. ix + 265 pp. index. illus. bibl. n.p. ISBN: 0-19-816444-0

Laurie Stras, 2004, Renaissance Quarterly, 57(2), 704-705

Type: article

Review: Holy Concord within Sacred Walls: Nuns and Music in Siena, 1575–1700. By Colleen Reardon. pp. x + 289. (Oxford University Press, New York, 2001, £50. ISBN 0-19-513295-5.)

Laurie Stras, 2004, Music and Letters, 85(2), 269-270

DOI: 10.1093/ml/85.2.269

Type: article

Musical portraits of female musicians at the northern Italian courts in the 1570s

Laurie Stras, 2003

Type: bookChapter

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